his vibrant drawings and sketches; and the numerous satirical engravings. Tate Britain: William Hogarth. Online version of Georg Christoph Lichtenberg's German eighteenth-century commentary on Hogarth's Credulity, Superstition, and Fanaticism. Part of the German "kunststück" series. Course around the work of William Hogarth by Amy Witherbee, Department of English, Boston College. Commentary on Hogarth's Harlot series by Neil McWilliam. Cruelty in Perfection (1751) probably alludes to Anthony van Dyck's Capture of Christ a deed without a name essays (c.
Oxford Dictionary of traffic jam research paper National Biography: Hogarth, William. The volume closes with two indices: the "Indice dei titoli e del temi" (pp. The Rabbit Woman. Chapter Four, "From Stage to Page to Frame: A Binocular Reading of Hogarth's and Sterne's Narrative Artifacts. This 40-page catalogue throws new light upon Hogarth's Sigismunda, considering the painting in the context of contemporary debates about female sexual desire, luxury consumption, and the modernity of English art. The Drawings of William Hogarth, London: Phaidon Press, 1948.
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